Overview

Materials & Craftsmanship:

This fine, diligently hand-knotted area rug contains a perfect blend of 80% pure silk and 20% pure wool. Persian & Oriental rugs made from a high percentage of silk are intricate and are often the most valuable of all handmade carpets. The silk fibers in this piece create a beautiful sheen throughout the field and borders, providing an ultra luxurious feel. The use of silk ensures a precise rendering of the decorative design patterns since strong silk fibers permit skilled weavers to weave more knots per square inch (KPSI) than those of wool carpets. A typical Persian or Oriental rug made from wool might have between 100 and 300 KPSI - a typical 80% silk rug contains between 200 to 500 KPSI. As a result, weaving the rug will require roughly three times the amount of work, and this is one of the main reasons that silk rugs cost two to three times more than wool rugs. The detailing of this particular piece also contains wool, which increases its durability.

A Brief History of Ghoum Rugs & Carpets

Ghoum rugs, also known as Ghoum, Gom, Qom, Qum, Qoum, Kum or Koum, are woven in workshops of Qom, a city located in northwest central Iran. Since rug production did not begin in Qom until the 1930s, Qom doesn't have any traditional designs of its own. Qom weavers prefer to weave the most favorable designs of other Persian weaving groups and sometimes Caucasian weaving groups and adjusting these designs to their own taste. It is possible for Qom rugs to be mistaken with Kashan or Esfahan rugs. However, they will not be mistaken with Tabriz rugs because Qum, Kashan and Esfahan rugs are woven with the asymmetric (Persian) knot and Tabriz rugs are woven with the symmetric (Turkish) knot.

All silk, part silk/part wool, and kork (fine wool taken from the belly of sheep) Qom rugs are very well-known in Iran and abroad. The foundation of Ghoum rugs could be either cotton or silk. Most Ghoum rugs have curvilinear patterns and very elaborate floral motifs with intricate leaves and vines. As mentioned above the designs are varied, taken from different weaving groups. Some designs used in Ghoum rugs consist of vase, moharramaat, mir-i-boteh, zell-i sultan, panelled garden, hunting, tree-of-life, pictorial, Shah Abbassi medallion-and-corner with usually a circular medallion, all-over Shah Abbasi, medallion with open field, medallions resembling the famous Esfahan Sheikh Lotfollah medallion, prayer and all-over gul farangi (roses).

The gul farangi motif seems to be a popular motif also used in vase, tree-of-life, and zell-i sultan designs. A panelled design containing very different motifs in each compartment is also common; the motifs inside the compartments can consist of pictorials, vases, hunting scenes, and botehs all in one rug.

The colors used in Ghoum rugs are as diverse as the designs. The overall appearance could either be pale with background and border colors such as ivory, champagne, turquoise and light green, or it could be dark with background colors such as dark blue and even sometimes red. Red, blue and green are also used as motif colors. Other commonly used colors in Ghoum rugs are mushroom, rose, gold, yellow ocher and orange ocher. To learn more about iranian rugs, 

Sources and inspiration: Bérinstain, Valérie, et al. L'art du tapis dans le monde (The art of carpets in the world). Paris: Mengès, 1996. Print.; Jerrehian Jr., Aram K.A. Oriental Rug Primer. Philadelphia: Running Press, 1980. Print.; Herbert, Janice Summers. Oriental Rugs, New York: Macmillan, 1982. Print.; Hackmack, Adolf. Chinese Carpets and Rugs, Rutland and Tokyo: Tuttle, 1980. Print. ; De Moubray, Amicia, and David Black. Carpets for the home, London: Laurence King Publishing, 1999. Print.; Jacobsen, Charles. Oriental Rugs A Complete Guide, Rutland and Tokyo: Tuttle, 1962. Print.; Bashir, S. (n.d.). Personal interview.; Web site sources and dates of consultation vary (to be confirmed). Without prejudice to official usage.